Jumat, 02 Agustus 2013

[O582.Ebook] Download PDF Zabbix Network Monitoring Essentials, by Andrea Dalle Vacche, Stefano Kewan Lee

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Zabbix Network Monitoring Essentials, by Andrea Dalle Vacche, Stefano Kewan Lee

Zabbix Network Monitoring Essentials, by Andrea Dalle Vacche, Stefano Kewan Lee



Zabbix Network Monitoring Essentials, by Andrea Dalle Vacche, Stefano Kewan Lee

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Zabbix Network Monitoring Essentials, by Andrea Dalle Vacche, Stefano Kewan Lee

Your one-stop solution to efficient network monitoring with Zabbix

About This Book
  • Effectively monitor a number of network devices based on network security and segments
  • Adapt your monitoring solution to an array of evolving network scenarios using Zabbix discovery features
  • A fast-paced guide to Zabbix network monitoring with a strategic focus on the collection and organization of data
Who This Book Is For

If you are an experienced network administrator looking for a comprehensive monitoring solution that will keep a watchful eye on networks, then this book is for you.

What You Will Learn
  • Deploy an effective distributed monitoring solution to your network scenarios
  • Effectively monitor a large number of network devices and your most critical network services
  • Build on Zabbix discovery features to adapt the monitoring solution to evolving networking scenarios
  • Identify critical metrics for your monitored devices and services
  • Automate trigger configuration and critical networking operations with the Zabbix API
  • Create compelling graphs and maps
  • Organize maps with a practical approach and create adaptive templates
  • Create a proactive alarm for the network services
  • Use historical monitoring data to create calculated and aggregated items
  • Use automatic discovery for network hosts and devices
In Detail

This book will help you to implement a powerful network monitoring solution based on Zabbix. Beginning with the installation of Zabbix, you will be guided through the complex task of designing, configuring, and deploying an enterprise class solution to efficiently monitor the networking infrastructures. Focusing on DNS and proxies, IT admins will learn how to effectively monitor a large network using Zabbix.

Starting with a quick walk-through of the basics, this book will prove to be an invaluable tutorial if you intend to deploy a robust and secure monitoring system for your networking environment with 24/7 automated reporting and logging. With extensive coverage of network topology with maps and graphs, this book will enable you to set up an effective monitoring solution for your network infrastructure. The book's fast-paced, easy-to-follow approach ensures that you'll learn everything quickly and efficiently.

  • Sales Rank: #1718269 in Books
  • Published on: 2015-02-27
  • Released on: 2015-02-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .41" w x 7.50" l, .70 pounds
  • Binding: Paperback
  • 155 pages

About the Author

Andrea Dalle Vacche

Andrea Dalle Vacche is a highly skilled IT professional with over 14 years of experience in the IT industry and banking. He graduated from Universita degli Studi di Ferrara with an information technology certification. This laid the technology foundation that Andrea has built on ever since. Andrea has acquired various industry-respected accreditations, which include Cisco, Oracle, RHCE, ITIL, and of course, Zabbix. Throughout his career, he has worked in many large-scale environments, often in roles that have been very complex, on a consultant basis. This has further enhanced his growing skill set, adding to his practical knowledge base and increasing his appetite for theoretical technical studying. Andrea's love for Zabbix came from his time spent in the Oracle world as a database administrator/developer. His time was spent mainly on reducing ownership costs, specializing in monitoring and automation. This is where he came across Zabbix and the flexibility it offered, both technically and administratively. With this as a launch pad, Andrea was inspired to develop Orabbix, the first open source software to monitor Oracle's complete integration with Zabbix. He has published a number of articles on Zabbix-related software, such as DBforBIX. His projects are publicly available at http://www.smartmarmot.com. Currently, Andrea is working as a senior architect for a leading global investment bank in a very diverse and challenging environment. He deals with many aspects of the Unix/Linux platforms as well as many types of third-party software, which are strategically aligned to the bank's technical roadmap. In addition to this title, Andrea Dalle Vacche is a coauthor of Mastering Zabbix, Packt Publishing.



Stefano Kewan Lee

Stefano Kewan Lee is an IT consultant with more than 12 years of experience in system integration, security, and administration. He is a certified Zabbix specialist in large environments holds a Linux administration certification from the LPI and a GIAC GCFW certification from SANS Institute. When he's not busy breaking websites, he lives in the countryside with his two cats and two dogs and practices martial arts. In addition to this title, Stefano Kewan Lee is a coauthor of Mastering Zabbix, Packt Publishing.

Most helpful customer reviews

1 of 1 people found the following review helpful.
This book does a good job of explaining just how Zabbix works and how ...
By Kent Tenney
Zabbix is extremely powerful, extensible and scalable. With this comes complexity. This book does a good job of explaining just how Zabbix works and how to get the most from it. I'd take some exception with the 'Essentials' component of the title, most of the Packt 'Essentials' books are more basic than this. If you're starting from scratch, this may not be the book for you. Recommended.

0 of 0 people found the following review helpful.
Book is for an older version - Zabbix 4.2
By Tikken
Book is for an older version (Zabbix 4.2), enough so that I cannot use the code snippets offered. I had hoped to use this book as a walk-thru to get a test environment of Zabbix running, but alas, no. It's more for use as general understanding of how Zabbix works. Also, as the comments say, it's not for the host monitoring, for any agent use is excluded, so it's primarily for snmp and ping and the like.

0 of 1 people found the following review helpful.
Great reading !
By Steve
Installation of Zabbix, managing the hosts manually or with the network discovery and see the result in maps.
This book provides all the necessary to monitor your network with SNMP.

See all 5 customer reviews...

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Zabbix Network Monitoring Essentials, by Andrea Dalle Vacche, Stefano Kewan Lee PDF
Zabbix Network Monitoring Essentials, by Andrea Dalle Vacche, Stefano Kewan Lee PDF

Minggu, 28 Juli 2013

[D296.Ebook] Download Ebook French with Ease (Assimil Method Books), by Anthony Bulger, J. L. Belin, Assimil

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French with Ease (Assimil Method Books), by Anthony Bulger, J. L. Belin, Assimil

French with Ease (Assimil Method Books), by Anthony Bulger, J. L. Belin, Assimil



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French with Ease (Assimil Method Books), by Anthony Bulger, J. L. Belin, Assimil

Book by Bulger, Anthony, Belin, J. L., Assimil

  • Sales Rank: #716232 in Books
  • Brand: Brand: Assimil, Editions
  • Published on: 1999-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .93" h x 4.60" w x 7.03" l,
  • Binding: Paperback
  • 421 pages
Features
  • Used Book in Good Condition

Language Notes
Text: English, French

Most helpful customer reviews

11 of 11 people found the following review helpful.
Recommended by a French friend.
By Allen Williams
I just started this book, strange that it says here its not published yet, hmm. Actually, I have a very old edition that was given to me by a French friend of mine who highly recommended this system to me. He teaches French as a foreign language and thinks its the best system for English speakers to use. It is really interesting, fun and even funny. Not too much new vocab in each lesson so you're not overwhelmed. The emphasis seems to be on real, spoken French, and not too concerned with rules, grammar, and the why's and wherefore's, the kinds of things that bog down beginning language learners. A brief explanation is given as needed, and then you just move on. I would like to see the practice dialogues on cd.
I have essentially no experience with studying French though it is not my first foray into foreign language study. As a language text goes, it seems to be fitting my needs very well. Someone who has studied French more than I may find fault where I cannot. To me, an enthusiastic beginner in French it's a good 4 and a half stars. I'm not far enough along to give this a 5 star rating which leaves me with my 4 stars for now.

4 of 4 people found the following review helpful.
As a tutor in French, I use it for my students.
By John A. Testelin
I used this method to learn English and German and I liked it very much. I also took classes. It's very difficult to study alone, 70% of students drop out. Even the method is excellent with funny dialogs, you should find a buddy to keep motivated, or complement with classes, or have a tutor. Assimil claims you can learn a language for usual situations in life in about 4 months. I could verify that's is correct if you can have the discipline to study every day. I met many students learning a foreign language in high school for 3 to 4 years and not able to articulate a sentence. It's the same in other countries in Europe. Assimil is an excellent alternative.

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Senin, 22 Juli 2013

[B804.Ebook] PDF Ebook The Oxford Reverse DictionaryFrom Oxford University Press

PDF Ebook The Oxford Reverse DictionaryFrom Oxford University Press

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The Oxford Reverse DictionaryFrom Oxford University Press

The Oxford Reverse DictionaryFrom Oxford University Press



The Oxford Reverse DictionaryFrom Oxford University Press

PDF Ebook The Oxford Reverse DictionaryFrom Oxford University Press

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The Oxford Reverse DictionaryFrom Oxford University Press

How do you find those elusive words that you just can't bring to mind but are on the tip of your tongue? Can you remember the word used to describe a fear of heights? Do you know the word for the plastic used for gramophone records? What is the word for a water slide at a swimming pool?
The Oxford Reverse Dictionary will help you find words you can't remember whereas a thesaurus will find alternatives to a word that you know. Words are grouped by subject-related key words, for example lapdog, pack, retriever, and hackles can all be found under the key word dog.

*Contains 31,000 entries listed under a wide range of subject areas and key words
* Ideal for crossword and other word game lovers who want to find the words that they are looking for
* A perfect vocabulary builder, it gives information on related adjectives, irregular plurals, and combining forms

  • Sales Rank: #600838 in Books
  • Published on: 2002-04-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.00" h x 1.20" w x 7.50" l, .74 pounds
  • Binding: Paperback
  • 416 pages

About the Author

David Edmonds is a freelance lexicographer. He compiled the Reverse Dictionary supplement in the Oxford Compact Thesaurus.

Most helpful customer reviews

14 of 15 people found the following review helpful.
Oddly Useful
By D. S. Heersink
This useful, albeit odd, frustrating, and confusing reference work for the ostensible purposes of finding "associated" words can be more disappointing than useful. Example (1): I was looking for the word "Eucharist" -- as if one could forget such a word -- but it does not exist in this "dictionary," not under "Holy Communion" not under "Mass not under "Eucharist." Perhaps a hundred years ago, this word might not roll off the tip of a reverse dictionary, but for more than sixty years it has been the preferred appellation for all these "other" associated words. Example (2): I was looking for the name of a particular "pathology," but no entry for the word "pathology" exists. I pondered a while, and then my own reverse brain suggested "disease," a viola, "disease" has a host of pathologies. But even "disease" does not suggest . . . .

Two "features" of this reverse dictionary are baffling. The "associated" words are in bold, but the associated word's definition PRECEDES the word. Okay, this is a reversed world. Worse, perhaps, is how the "associations" are determined. Alphabetically would have been my obvious choice, since words are words, however associated. Not here, readers. The "associations" are by the editors' "degree of proximity." Proximity to what, you ask? Proximity to THEIR degree of association of words without any one else's reasons. Besides being entirely "arbitrary" (if not a bit egocentric), how can such "proximities" be determined, and assuming some standard could be found, how could anyone communicate those standards to those who are already in a search for what they cannot speak, mention, or find?

Alas, I almost threw this book in the fireplace. If any of us thought "plot" might be associated with "story," we'd be wrong. If we thought "plot" might be associated with "narrative," we'd again be wrong. So what do these editors associate "plot" with? I'm serious: "machination, Machiavellian, wheel-and-deal, synopsis." At least the "Ms" are together, even if nothing else is. The irony, here, is that the first-three "tangents" make more sense than "synopsis." How does synopsis relate to plot, and why aren't story and narrative a part of the plot? Because the "plot" is reversed against the user too stupid to find the association in the first place, if you don't object to reading explication before what's being explicated, that is.

Still, all these odd features notwithstanding, this book is sometimes useful, despite itself. But between you, me, and OUP, I suggest Random House's "Word Menu." Not quite the same, but certainly far more useful.

2 of 2 people found the following review helpful.
Good on Your Reference Shelf
By jsh
If you like to search for the exactly right word, if you don't believe there's such things as synonyms, if you just love the language and enjoy browsing to learn things you don't know, then you'll enjoy this.

Five stars because I'm a sucker for the sorites paradox: it doesn't top the list of must-have language references, but it's still a darn good addition to a competent reference shelf.

If you're looking for a first word reference beyond a dictionary and a thesaurus, get the Random House Webster's Word Menu (Random House Newer Words Faster).

0 of 0 people found the following review helpful.
Five Stars
By Victor H. Barnaby
A very interesting dictionary. I could just sit and read this one

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Jumat, 19 Juli 2013

[G505.Ebook] Ebook In Defense of Good Teaching, by Ken Goodman

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In Defense of Good Teaching, by Ken Goodman

  • Sales Rank: #3865658 in eBooks
  • Published on: 1998-01-01
  • Released on: 1998-01-01
  • Format: Kindle eBook

Review
A well-documented set of essays by leading reading and language arts educators who explain how the right wing has gone on attack over the issue of teaching of reading. Essays examine the research behind the controversy, the role of the media, and activities that progressive educators can take up. -- Rethinking Schools, Summer 1998

Goodman has set out to defend whole language by exposing the political agenda of those who are against it and by assisting those who want to fight against this attack. To this end he has compiled eleven distinctly separate chapters written by twelve authros, including Constance Weaver, Ellen Brinkley, and David and Yvonne Freeman, who strongly support whole language and who have dealt with and participated in the "reading wars."

Readers will be exposed to a variety of information and pro-whole language perspectives and will certainly learn more about the politics surrounding the issue, specifically in the areas of research, legislation, and practice. Of key interest are a series of case studies and various rationale used to support the assertion that there is a right wing agenda against whole language and to explain why and how this agenda developed. In addition, many of the authors have outlined specific methods and strategies that readers may use to respond to right wing criticisms. -- Education Book Review

From the Back Cover
Is whole language the cause of the problems that beset our schools?

Is the debate between whole language and phonics a cover-up for control of what and how students learn?

Is it appropriate that legislators, lobbyists, textbook publishers, and private interest groups evaluate and promote research on teaching and learning?

Is Christian fundamentalism being exploited by political and economic groups?

Is the attack on whole language supported by research that is valid?

Is the issue of teaching reading now so polarized that even a "balanced" approach is no longer acceptable in some schools?

These questions have come out of the reading wars. And teachers now must be articulate and knowledgeable defendants of their own positions in the debate if they are to retain control of their profession.

In Defense of Good Teaching is the whole language community's first concerted response to its attackers, reveals some disturbing truths in the reading wars: deliberate misrepresentation of ideas, about the role of the press, conflicting political agendas played out in our schools, teachers and administrators marginalized for their beliefs, and commercial interests dressed up as scientific research. This is an alarming and enlightening book and, as the dispute broadens to affect teaching of math and bilingual education, it is an important book. It will be invaluable to teachers who want the means and strategies to respond to criticism, to analyze arguments and to defend their position. More is at stake than whole language.

About the Author
In the early 1960s Kenneth S. Goodman began studying the reading of authentic texts by urban and rural young people. His earliest miscue research, published in 1965, is probably the most widely replicated study in reading research history. But it was his article, "Reading: a Psycholinguistic Guessing Game" (1967), that began a revolution moving away from a view of reading as rapid accurate sequential word recognition to an understanding of reading as a process of constructing meaning - making sense - of print. That research is part of the basis for the whole language movement and disagreements over Ken's conclusions about the nature of reading fuel the current "reading wars."

Ken's research has received major awards in the field from NCTE, IRA, NCRE and NCRLL. He is a past president of IRA, NCRLL, and the Center for Expansion of Language and Thinking, and an elected member of the Reading Hall of Fame. His book Ken Goodman on Reading (1997) is the most recent and complete presentation of his understanding of the reading process. Equally influential, his 1986 book What's Whole in Whole Language? has been published throughout the English-speaking world and is available in French, Spanish, Japanese, Portuguese, and Chinese translations.

Bess Altwerger is a faculty member at Towson State University in Baltimore, Maryland. Throughout her career, she has collaborated with teachers to create inquiry-based, democratic classrooms. As a speaker and writer she has focused on developing whole language as critical pedagogy and teaching for social justice and equity. Bess is an active member of Whole Language Umbrella and currently serves on the Commission on Reading for the National Council of Teachers of English. She is co-founder with her husband, Steven Strauss, of Maryland United to Protect Public Education.

Richard I. Allington is Professor of Education and Chair of the Department of Reading at SUNY-Albany. He is also a research scientist at the National Research Center on English Learning and Achievement where he co-directs a project on state educational policy making. Dick is a member of the board of directors of the International Reading Association and past president of the National Reading Conference.

Ellen H. Brinkley, Western Michigan University, works with preservice and practicing teachers of English language arts through courses on how to teach reading, writing, and literature. She also directs the Third Coast Writing Project. She is a former high school teacher who grew up in and first taught in Kanawha County, West Virginia, site of the 1974 protest over multicultural literature that James Moffett called the "storm in the mountains." In recent years some of her research and publications have focused on the political influences of Christian conservatives on curriculum and school policy. Her experience as grassroots activist and co-founder of Michigan for Public Education inform the chapters included in this text. She is also co-chair of a new coalition effort, the National Congress for Public Education, and her book Caught Off Guard: Teachers Rethinking Censorship and Controversy will be published in 1999.

Carole Edelsky is a Professor of Curriculum and Instruction at Arizona State University. She is one of the founders of PEAK (Public Education for Arizona's Kids), a community organization that advocates on behalf of public education.

Linda Ellis is an Assistant Professor in the Elementary Education Department at Stephen F. Austin State University in Nacogdoches, Texas. She is also a trainer for the New Jersey Writing Project and has taught summer writing institutes since 1988. Linda is an active member of several regional and state reading education organizations and past president of two area councils of the International Reading Association.

Yvonne S. Freeman directs the Bilingual Education Program and David Freeman directs the Language Development and TESOL programs at Fresno Pacific College in Fresno, California. Both are interested in literacy education for bilingual learners. They have worked with bilingual teachers in Argentina and Uruguay and spent a year as Fulbright scholars at the Universidad de Los Andes in Venezuela. The Freemans have published articles jointly and separately on the topics of literacy, linguistics, bilingual education, and second language learning in professional journals and books and have a regular column in the CABE newsletter. Their books include Whole Language for Second Language Learners and Between Worlds: Access to Second Language Acquisition, the latter receiving the Mildenberger Award from the Modern Language Association for outstanding research in the field of foreign and second language teaching. Their third collaboration, Teaching Reading and Writing in Spanish in the Bilingual Classroom, is published in English and Spanish editions.

Sharon Murphy is Associate Professor and the Director of the Graduate Programme in Education at York University, Toronto. Her interests are in reading theories, assessment, and socio-political aspects of literacy. Her most recent work, co-authored with Patrick Shannon, Peter Johnston, and Jane Hansen, is Fragile Evidence: A Critique of Reading Assessment. She is a co-editor of Language Arts.

Frances R. A. Paterson is an Assistant Professor of Educational Leadership at Valdosta State University, specializing in school law, the politics of curriculum, censorship, and professional ethics for educators. A former library media specialist and junior high school teacher, Dr. Paterson received her law degree and doctorate in education from the University of Oklahoma. She is the author of several articles and conference papers related to religious and political issues in curricular reform. She is also the author of Legally Related Religious Challenges to Public School Materials, Curricula, and Instructional Activities: The "Impressions" Controversies, 1986-1994.

Constance Weaver, Professor of English at Western Michigan University, is the author or editor of several books, most recently Lessons to Share on Teaching Grammar in Context (edited, 1998), Creating Support for Effective Literacy Education (1997), and Reconceptualizing a Balanced Approach to Reading (edited, 1998). From 1987 to 1990, she served as Director of the Commission on Reading of the National Council of Teachers of English. In 1996 she received the Charles C. Fries award from the Michigan Council of Teachers of English for distinguished leadership in the profession. Connie is also a co-founder of Michigan for Public Education, a nonprofit grassroots organization advocating equality and excellence in education.

Haley Woodside-Jiron is currently a Ph.D. student in the Reading Department at SUNY-Albany and serves as research assistant for the National Research Center on English Learning and Achievement.

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9 of 12 people found the following review helpful.
Every teacher should have this information!
By A Customer
It is amazing what some people will do to get their way or sell their material. Ken Goodman has told the story every teacher should know. Not only have laws been mandated in California, these phonics pushers are now headed toward Texas. The lies these people are telling is unbelievable and thank goodness Ken Goodman is watching out for us. It is through the information he has put together in this book that allows us to know what is going on behind the politicians' closed doors. Isn't it amazing what politicians are willing to do to get votes. Maybe they should try reading all the research for themselves before they go off screaming for laws that will mandate how teachers must teach reading. Do we really want politicians telling us how we must teach?

8 of 11 people found the following review helpful.
A hard-hitting, well-documented book
By A Customer
This collection of essays reveals the extent to which certain political groups have attacked public education and good teaching under the guise of "accountability" and "literacy." This is a must read for those interested in knowing more about the anti-teacher and anti-public school hysteria that has taken place over the past 10 years in the U.S.

11 of 30 people found the following review helpful.
More self-serving whole language nonsense
By A Customer
The only reason that there is a "reading war" is that:1) the American public finally realized that whole language was making our children illiterate; and 2) a handful of researchers who were not afraid to buck the whole language crusade did the research that shows how destructive whole language is--despite all of the smarmy talk. This book is best seen as the last gasp of a dying fad.

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Kamis, 11 Juli 2013

[H501.Ebook] PDF Ebook Study Guide for Pharmacology and the Nursing Process - Elsevier eBook on VitalSource (Retail Access Card), 8e, by Linda Lane Lilley PhD R

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Study Guide for Pharmacology and the Nursing Process - Elsevier eBook on VitalSource (Retail Access Card), 8e, by Linda Lane Lilley PhD  R

Prepare for success in pharmacology and on the NCLEX Examination with the Study Guide for Pharmacology and the Nursing Process, 8th Edition. Designed to accompany Lilley’s Pharmacology and the Nursing Process, 8th Edition textbook, this workbook features worksheets for each chapter that include NCLEX-RN� Examination-style review questions, critical thinking and application questions, case studies, and other educationally sound learning activities.

  • Chapter-by-chapter worksheets are divided into 3 main sections: Chapter Review and NCLEX Examination Preparation, Critical Thinking and Application, and Case Study.
  • Focus on prioritization features at least one prioritization exercise in which the reader must evaluate a clinical scenario and answer the question: "What is the nurse’s best action?"
  • Overview of dosage calculations section contains explanations of key drug calculations, concepts, sample drug labels, practice problems, and a practice quiz.
  • Answers for all exercises are provided at the back of the book to facility self-study.
  • Learning strategies expands upon the unique, cartoon-illustrated study strategies included in the Lilley text.
  • NEW! Expanded NCLEX focus includes one to two additional NCLEX Examination-style questions for each chapter, including additional alternate item format types.
  • Chapter review and NCLEX Examination preparation included in each chapter worksheet contains a number of application-based NCLEX practice questions, including at least one alternate-item question per chapter.
  • NEW! Updated content is completely current and consistent with the Lilley textbook.

  • Published on: 2016-02-10
  • Original language: English
  • Binding: Printed Access Code
  • 272 pages

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Rabu, 10 Juli 2013

[M506.Ebook] Free Ebook FIFTEEN ANIMALS!, by Sandra Boynton

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FIFTEEN ANIMALS!, by Sandra Boynton

A small boy proudly introduces us to his pets by name, each in turn: “I’ve got a cat named Bob, and a dog named Bob, and two fish called Bob and Bob…”

  • Sales Rank: #320724 in eBooks
  • Published on: 2012-11-20
  • Released on: 2012-11-20
  • Format: Kindle eBook

About the Author
Sandra Boynton is a popular American cartoonist, writer, children’s author, and songwriter. Since 1974, Boynton has written and illustrated over forty children’s books and seven general audience books, including four New York Times Bestsellers. More than 35 million of her books have been sold—"mostly to friends and family," she says. She has also written and produced five albums of award-winning children’s music. Three of her albums have been certified Gold, and Philadelphia Chickens, nominated for a Grammy, is nearing Platinum. In 2008, she was awarded the Milton Caniff Lifetime Achievement Award by the National Cartoonists Society.

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15 of 16 people found the following review helpful.
Sandra Boynton rocks
By DJ Joe Sixpack
"Fifteen Animals" is, admittedly (and intentionally) a bit of a one-note joke... But it's also more cute, Boyntonesque fun! The gag is that the narrator loves animals, but gives them all the same name: Bob. He's got a cat named Bob and a frog named Bob and a cow named Bob... indeed, all of his animals have the same name except for one, who has a long, lofty, goofy, aristocratic sounding name instead. It's funny the first time around, although it doesn't have the same sort of rolls-off-your-tongue kookiness and durability as some of Boynton's older books. Still, ya gotta love Sandra Boynton, even when she gives all the animals the same name! (Joe Sixpack, ReadThatAgain children's book reviews)

8 of 8 people found the following review helpful.
Sandra Boynton does it again
By Katrina B.
We're big fans of Sandra Boynton in this house. We love her illustrations, and the fact that her books are enjoyable for kids, while not being annoying to adults! I always secretly hope my 2-year-old will pick a Boynton book for our pre-bedtime reading.

Fifteen Animals did not disappoint. Whimsical, cute, easy for little kids to understand. My son is into counting in a big way, so while I'm reading about the animals, he's pointing out the numbers on each page. Bottom line: we love it!

3 of 3 people found the following review helpful.
...and a third are bunnies.
By D. Dunlap
My wife hates that 14 of the animals are named Bob. Honestly, that doesn't bother me nearly as much as 5 of the animals are rabbits. That bunny section doesn't even flow as nice as the rest of the book. Anyway, overall, it has nice illustrations and combined with a quick read, the book is fun... but it just gets okay marks from me. In my view, it had potential, it just could have used a little modification... especially the bunny section. Sorry, Bobs.

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Rabu, 26 Juni 2013

[U865.Ebook] Download Louder than Words: Harness the Power of Your Authentic Voice, by Todd Henry

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Louder than Words: Harness the Power of Your Authentic Voice, by Todd Henry

"...one of the best guides to living a meaningful life I have ever read."�-�Tom Rath, author of�StrengthsFinder 2.0�and�Are You Fully Charged?�The next step in personal effectiveness by Todd Henry, the acclaimed author of�The Accidental Creative�and�Die Empty.��Are you doing your�best�work, or are you just getting by? Are you fulfilled at the end of the day, or are you just glad the day is over? In today's marketplace, you don't have the luxury of going with the flow. If you want to succeed - and�thrive�- you have to do work that sets you apart.��But how do you do work that is�truly�remarkable? How do you begin to make your unique mark? You have to find your "sweet spot", or the place where you will be most effective.�The key to doing so is to harness the power of your�authentic voice. Whether you're an entrepreneur, a writer, a designer, or a manager building a brand, you have to understand what makes you unique, and make bold decisions that put you in your sweet spot of effectiveness. The result not only be more impact, but also greater personal satisfaction with your work.�Louder Than Words�offers specific strategies and tactics for uncovering, developing, and bravely using your authentic voice to create a body of work you are proud of, that resonates deeply with others, and that ultimately impacts the world.�

  • Sales Rank: #93354 in Books
  • Brand: Henry, Todd
  • Published on: 2015-08-11
  • Released on: 2015-08-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.31" h x .81" w x 6.31" l, 1.00 pounds
  • Binding: Hardcover
  • 224 pages

Review
"Louder Than Words is another remarkably powerful read from Todd Henry, one of my favorite authors, who has a unique ability to challenge our thoughts and stir us to action. His fascinating and deeply practical book is one of the best guides to living a meaningful life I have ever read."�--TOM RATH, author of StrengthsFinder 2.0 and Are You Fully Charged?

"In a world where it is increasingly easy to fake the voice you think you're supposed to have (see the parade of manicured social media accounts), Todd's new book is a flare on the road back to honesty. If you're tired of fa�ades, rediscover your real voice with the wisdom inside this book."�
�--JON ACUFF, New York Times bestselling author of Do Over

"Our authentic voice is the key to the jobs, clients, and creative work that fuel our lives. Todd Henry clearly and soulfully lays out the path for discovering and communicating your unique message and value to the world. This book is essential for anyone who cares about making a difference."�
�--PAMELA SLIM, author of Body of Work

"Figuring out what you're meant to do in this world is challenging, but Todd serves as an en- couraging guide, always nudging the reader to think bigger. This is a thought-provoking book, yet still practical enough to help readers build progress toward their callings into daily life."�
�--LAURA VANDERKAM, author of I Know How She Does It, 168 Hours, and What the Most Successful People Do Before Breakfast

"A powerful book for game changers and A players amped to achieve amazing things."--ROBIN SHARMA, founder of The Titan Summit, author of The Leader Who Had No Title

About the Author
TODD HENRY, the author of The Accidental Creative and Die Empty, is the founder of Accidental Creative, a company that helps people and teams in many different industries. Through his speaking and workshops, he teaches simple practices that lead to everyday brilliance. He lives in Cincinnati with his family. Visit www.AccidentalCreative.com.

Excerpt. � Reprinted by permission. All rights reserved.

Introduction

When people don’t express themselves, they die one piece at a time.

—Laurie Halse Anderson, Speak

Your work tells tales. It speaks about you, your values, your hopes, your ambitions, and ultimately what you deem worthy of your energy and attention. It reveals, intentionally or not, what you really think about the world around you. Ultimately, your body of work—which is any place you create value, whether through your job, your relationships, or any other way you spend your time and energy—is a standing testament to your existence on this speck of rock orbiting the sun.

Here’s a question worth pondering: While your work speaks about you, does it really speak for you? Does it represent you well? Does it reflect the authentic you? (Or, in your busyness, have you even recently considered who the authentic you might be?) The key to making your work resonate is to uncover, develop, and then bravely use your authentic voice.

What does this mean? When you are pouring yourself into your work and bringing your unique perspective and skills to the table, then you are adding value that only you are capable of contributing. However, many people operate in “default mode,” and they ignore their hunches, their deeper intuition, and their unique vision, and instead settle into the fold. Over time, they become more of a reflection of everyone around them—or a faded photocopy of a photocopy—than an original source of ideas, energy, and life. Instead of doing the difficult work necessary to weave their influences together into something fresh and original, they settle for recycling the scraps in exchange for a quick return on their effort. In the end, they fall short of making a unique contribution that’s reflective of what they truly care about, and because of a lack of individuality and passion, their work is less likely to resonate with their audience.

However, brilliant contributors commit to the process of developing an authentic voice through trial and error, by paying attention to how they respond to the work of peers, heroes, and even their antagonists, by playing with ideas, by cultivating a sharp vision for their work, and ultimately by honing their skills so that they have the ability to bring that vision to the world. If you examine the most contributive, impactful, and ultimately influential people throughout history, the one thing that clearly sets them apart is their unique voice. They had developed a personal expression that distanced them from their peers and put them in a field of their own. Their body of work speaks loudly about who they are and what they value. Louder, even, than their words.

Whether you are a writer, a consultant, an entrepreneur, an engineer, a manager, or an artist, developing your authentic voice should be a top priority if you are serious about crafting a body of work that will stand the test of time. Work, then, becomes about more than checking off tasks and pushing through projects. Instead, it is a means to carve a place in the world and create value that lasts. It becomes a means of genuine expression and a standing testament to your efforts.

WHAT IS VOICE?

For the purposes of this book, I’ll define voice as the expression (idea) you make through a medium (platform) in order to achieve a desired outcome (impact). Whether you are creating a form of art, such as music or painting, or crafting a marketing message to reinforce your brand equity, your objectives will be accomplished by leveraging an expression through a medium, and the more resonant your message is with your audience, the more likely you will achieve your desired impact. Taken together, your collective body of work, as communicated through your voice, represents you, your style, your values, and your intentions.

Truly effective voices resound, meaning that others eventually become carriers of your expression. Ideally, your work will reach far beyond your immediate sphere of influence. However, crafting work that resounds isn’t as simple as coming up with a viral meme or a catchy turn of phrase. While these tactics achieve short-term attention, a moment in the spotlight often fails to achieve lasting impact. This is why so many attention-grabbing television commercials never achieve long-term results for their brands. (A quick glance at post–Super Bowl audience survey results reveals that companies have paid millions of dollars for ads that as few as 35 percent of viewers associated afterward with their brand. Worse, a high percentage of viewers attributed them to their competitors. Perhaps the ads were memorable, but the company’s voice wasn’t distinguished enough from that of the competition to matter.) To resound means that your work connects deeply in some way with your audience, and that they in turn feel a connection to your work that’s strong enough to compel them to respond, whether by sharing your work with others or by being mobilized to act in some way. The goal of developing an authentic voice isn’t self-gratification, it’s cultivating a greater ability to mobilize others toward a goal or objective, and in so doing achieve the impact you desire.

Those who are brave enough to dedicate themselves to the effort of discovering their authentic voice are impervious to the temporary cultural noise. Their work is founded upon a deep knowledge of who they are, what they want, and how they plan to achieve it. They have firm footing because they have rifled through the debris and uncovered bedrock. They have learned how to craft their work so that it represents their true selves and resonates with their audience.

HOW TO READ THIS BOOK

Louder Than Words is divided into three sections. The first section addresses the reason many people struggle to develop their voice, and the distinct phases that artists, entrepreneurs, writers, and others have passed through on their journey. The second section addresses what I refer to as the Voice Engine, or the mechanism that allows you to identify, develop, and use your voice to achieve impact. You will learn about the importance of Identity as a driving force for your work, Vision for defining the impact you want, and Mastery as a means of getting your ideas into the world more effectively. The final section offers more practical day-to-day advice for implementing your voice in the course of teamwork, as a leader, and as you plan and shape your work over the long term.

My goal is not to simply inspire you with a new approach to finding your voice but to inspire you to act differently as you shape your work. Though there will be a lot of reflective exercises, this book is written for people who are already moving, and are looking for signposts to help them get even better. This is a book for doers.

I hope to inspire you to seek an authentic voice, but you will see true growth only when you take action. There is no shortcut. In fact, as you develop your voice, you may often feel like you’re failing even when you are on the verge of your greatest success. You will find yourself only if you are willing to first lose yourself in the process. It is the commitment to growth that matters, and small actions over time yield big results. As Don Baptiste, head of Bloomberg Government, told me in an interview, “You discover your voice by exercising it and getting in the mix. You might be surprised at what you find.”

Don’t project (and protect) an image of who you think you ought to be while abandoning your authentic self. Commit to the pursuit of brilliant work, even when immediate results are not guaranteed. As you’ll soon see, this will require some self-excavation, and a lot of strategic experimentation. However, as with many things, it’s your courage and willingness to engage in the journey that defines you. We need you to be brave, and to be yourself. We need you to develop your authentic voice, and to put it in the mix.

PART 1

The Journey of Developing Your Voice

Chapter 1

The Art of Resonance

Masterpieces are not single and solitary births; they are the outcome of many years of thinking in common, of thinking by the body of the people, so that the experience of the mass is behind the single voice.

—Virginia Woolf

Principle: To cultivate an authentic voice you must develop its three elements—Identity, Vision, and Mastery.

Have you ever heard yourself speaking or singing on a recording? I still remember the first time this happened to me, and when I played back the tape (yes, this was in the dark ages of analog recording), I couldn’t believe how much different I sounded than what I’d expected. So much so, in fact, that it was almost as if I was hearing an entirely different person. (To my chagrin, I sounded less like a velvety Elvis Presley and more like a sad Pee-wee Herman.) Because of the resonance created in my skull by my vocal cords, I heard my own voice much differently than the recording revealed. This is the reason many people hate hearing the sound of their own, recorded voice. It sounds eerily foreign to them. (Do I really sound like that?)

I believe this same dynamic plays out with many people’s metaphorical voice, though without the luxury of a playback button for immediate feedback. They are unaware of how their words and actions are collectively communicating to others. Worse, this lack of awareness may mean that they go about their lives and work behaving in a way that is inconsistent with who they really are, and perhaps even deeply disconnected from their true passions and ambitions. They project who they think they should be, and ignore the deeper signals about who they really are. Thus, they fail to infuse their authentic self into their work, and it fails to resonate deeply with others.

This is why I believe the most important work you will ever do is the work necessary to develop an authentic voice. I hope throughout this book to make the argument that your voice is both your single greatest possession and the most critical asset you share with the world. It is both the animating force for your best work and also the reason it gets noticed. And in the end, it is the source of both meaning and purpose in your work, and also the most likely generator of any success you experience.

By “authentic” I mean that your voice is sourced in the interplay of your unique passions, skills, and experiences. Contrary to how the word is often used today, this isn’t necessarily about full transparency. Instead, it’s about coming to a clear understanding of what you care about, then finding a way to infuse your work with the best of who you are so that it resonates in a unique way with your audience.

Your authentic voice is the expression of your compelling “why.” It defines the space that you are wired to occupy, and the unique value you are capable of contributing, which means that if you don’t use it, then that contribution is unlikely to ever be seen. Unfortunately, some of the myths about how an authentic voice is developed can be counterproductive. For example, advice such as “Just follow your gut” or “Do what you love and everything will work out” sounds exciting, but often fails to help you achieve lasting results and impact. As you’ll see in the coming pages, developing your voice is not just about what you care about, it’s also about how your passions intersect with what others care about. It’s not only about what you say or do, it’s about how your work is received.

The degree to which you develop and use your authentic voice in the course of your work will often determine whether or not you feel invested, effective, and even recognized in the ways that matter personally. (On the other hand, it’s possible to be recognized for your work in ways that don’t matter to you and find that it feels like hollow praise. If you are not making personally meaningful progress in your work, no amount of success in the eyes of others is likely to fill the void.)

In etymological terms, our word voice is closely tied to the root of the word vocation, which is the term many people use as a substitute for the word job. However, I find it helpful to draw a sharp distinction between the words occupation and vocation. Your occupation is how you make a living, or at least what you spend most of your day doing. Your vocation, on the other hand, is the activity or expression you are naturally drawn to when given latitude over how to spend your focus, assets, time, and energy. It’s the sort of work that you feel compelled to do even when no one is paying attention. The active form of your vocation, and the way it’s experienced by others, is your voice.

Your occupation is simply a platform. It’s the arena in which you are given a chance to create an impact. For example, your job ideally allows you the opportunity to influence and change the world around you, even if it’s in a small way. Your vocation, on the other hand, is the expression that you make through your platform. It’s the unique value you add, and your authentic response to your environment. Your vocation cannot be fully contained by your occupation. It finds expression in all areas of your life.

Have you ever felt especially alive at the end of a meeting, task, or project? Maybe it’s because something went really well, and you know that it simply wouldn’t have happened without your efforts. It’s more than just the rush of relief for having checked something off your list; it’s that the value of your unique perspective and skills has been affirmed and that you’ve done something no one else could have. You experienced the thrill of operating in your “sweet spot.” In these circumstances, your vocation, or calling, has found expression through your occupation. This is often when we feel most alive and contributive in our work. However, for many people, it’s difficult to bridge the steep gap between who they are and what they do each day. Instead of heeding their intuition and taking risks with their work, they do what is expected, and play it safe by taking the tried-and-true route, trying not to stand out. As a result, their impact is limited, and they experience less of the joy that comes from pouring their unique and authentic self into their work.

Unfortunately, many people spend the bulk of their time trying to figure out how to grow their platform (their sphere of influence), but neglect the much more critical process of developing their voice. As a result, while they may grow the level of awareness for their work, their impact stalls over time because it is not rooted in something of substance. Your voice is the fuel that sustains your pace, and without it you will eventually lose steam. You cannot succeed through platform alone, at least not in the ways that matter.

THE VOICE ENGINE

To develop your authentic voice, you must cultivate three things: a strong sense of identity, which means doing work that is rooted in something substantive and personally meaningful; a consonant vision for your work, meaning a sense of the ultimate impact you want to have; and mastery of your skills and platform.

A strong, authentic, compelling voice is the expression of identity, guided by vision, and achieved through mastery. These three work together as a part of the lifelong process of growth and discovery. Developing your authentic voice is the result of lifelong layers of learning, experimentation, and failure. While it’s possible to piece it all together over time through trial and error, I want to help you accelerate the process by building practices around each of these three core drivers.

Identity is primarily defined by the question “Who are you?” If I informally ask you that question, there are a number of ways you could respond. You could tell me about your childhood experiences, your job, your hobbies, your political views, or any number of other defining characteristics. However you respond, it would be a story about how you perceive yourself and your place in the world. In fact, your sense of identity is a collection of these stories. Whether the stories are true or false is somewhat irrelevant, because it’s whether or not you believe them that defines how you behave. Regardless of what you profess to believe, your actions reveal the truth. When you act in a manner that’s inconsistent with your true aptitudes and passions, it can create frustration, and over time can lead to a sense that you’re not living up to your creative potential.

Thus, self-knowledge is a critical ingredient of identity, because when it is lacking you are more likely to compromise your true thoughts and beliefs. This is especially true when you are under pressure to deliver results. You must have a rooted understanding of why your work matters to you, what makes it unique, and why you believe it should also matter to others. I can often tell when someone is having an identity crisis, because they will communicate in one of two ways: broadly so as not to offend anyone, or so specifically and reactively (in order to appear confident) that they self-contradict when the winds of public opinion grow unfavorable to their previous stance. Your work must be rooted in something of substance so that you don’t blow with the winds of change or challenge. As you’ll see in the coming pages, thoughtful action is the best form of self-discovery.

The second part of the Voice Engine is vision, which is primarily defined by the question “Where are you going?” If you set out to build a bridge between two points on a river, you’d better first determine (a) the purpose of the bridge and the kinds of vehicles that will be crossing it, (b) whether you have sufficient resources and materials to complete the project, and (c) whether or not a bridge is even the right solution to the problem of crossing the river. To apply this metaphor to your work, it’s important that you are able to articulate the kind of effect you wish to have, and how you want the world to be different through your efforts. You should at least have a sense of how you wish to connect with an intended audience, and how you plan to impact them. Though you don’t want to become paralyzed with inaction out of fear of getting it wrong, your vision provides you with a set of guiding principles to help you stay aligned and measure your progress.

Many people falsely believe that brilliant contributors just follow their whims and let their “gut” decide from moment to moment where their work will lead them, but this is largely untrue. Though they rarely have all of their steps mapped out, the majority of the great creators and teams I’ve encountered at least have some sense of where their work is leading and the ultimate impact they want to have. They have a “north pole” toward which to navigate, even if only in a general sense. This vision is what guides their efforts as they continue to refine and develop their voice.

The final piece of the Voice Engine is mastery, which is defined by the question “How will you get there?” As you sharpen your skills, you have more tools in your toolbox and give yourself more options for expression. It’s obvious that people who sharpen their skills and hone their instincts are far better positioned to create value, but in the midst of the daily fray we often forget to devote energy to personal skill and platform development. Brilliant contributors know that an opportunity exists only if they are able to recognize it and take advantage of it. In order to use your voice in ways that matter, you have to hone your skills so that you are prepared to jump on opportunities as they emerge. Mastery is also about honing your instincts and engaging in daily practice so that you develop the kinds of perceptions necessary to make intuitive leaps. No matter how skilled you are, if you don’t have an outlet for that expertise, you will not succeed.

So your answers to these three questions, “Who are you?” “Where are you going?” and “How will you get there?” give you a map for developing your authentic voice. Your sense of identity leads you to a compelling vision, which then illuminates the skills and platform you need to master in order to succeed.

When all three of these elements are working together, they create a virtuous cycle of growth and effectiveness. You engage in self-discovery through action, refine your vision, and master new skills along the way. However, when one or more of the drivers of the Voice Engine are lacking, there is likely to be an outage in your ability to resonate with your audience.

IDENTITY + VISION — MASTERY = NOT CREDIBLE

You can have a clear sense of identity, and you can be guided by a compelling vision, but if you haven’t developed the skills necessary to share your work effectively, then it will fall short. You can yell louder than everyone else, but you will still achieve little lasting impact. This is often the situation early in your career, as you are gaining your footing but still lack the skills necessary to accomplish your vision. You lack credibility, because your skills and platform for influence don’t measure up to your ambition.

IDENTITY + MASTERY — VISION = NOT CLEAR

Your audience craves clarity, and will seek out work by those who know where they are headed. Without a vision for your work you are like a ship at sea, unable to weather the storms of contrary opinions or challenges to your point of view. Your work may waffle and ramble to the point of confusion, and even early fans of your work will eventually lose hope and abandon you if they can’t discern where you are leading them. Your vision is the compass that keeps you on the right bearing even while “making it up as you go.”

MASTERY + VISION — IDENTITY = NOT CALLED

Without an identity-infused voice, your body of work will ultimately be hollow. Your audience is likely to discount you if your work feels inauthentic. This often happens when someone is chasing trends rather than aiming for impact. (Consider the trend of rapidly spreading but ultimately shallow list-based blog posts, or attention-grabbing headlines that may garner someone’s focus for a short period but will not ultimately lead to any kind of significant impact other than momentary entertainment.) This is not to imply that all clever attempts to gain attention for your work are misplaced, but your body of work will be inconsistent if it’s not rooted in something that matters to you.

IDENTITY + VISION + MASTERY = COMPELLING

When all the parts of the engine are working together, they fuel the discovery and use of your authentic voice. A greater sense of identity leads to a refined vision, which provides motivation to continue to master new skills. Through this greater mastery, you achieve influence, which then ideally helps you better understand your place in the world, and leads to a deeper understanding of the value you want to create. The cycle continues to repeat over and over throughout your life.

As you examine the above equations, which do you think most accurately describes you at the present time? Which of the three drivers are you best at, and weakest at? It’s easy to get out of balance, as you deal with the pressures of work, family, and other responsibilities. This is why it’s important to have a set of grounding practices to help you continue growing. In the coming pages, you’ll discover tools to help you hone and strengthen your sense of identity, your vision for your work, and your mastery over your platform for expression. In other words, to answer “who are you?” “where are you going?” and “how will you get there?”

CHECKPOINT

Each of the following chapters will include the following checkpoints to help you stay aligned and focused, assess where you are with regard to the three drivers of the Voice Engine, and help you consider potential next steps on your journey of growth and discovery.

Excavation: You must first get to the “bedrock,” or the core and guiding concerns, influences, and experiences that make your perspective unique. Why should anyone care what you think? Why should anyone listen to what you have to say? What makes your ideas more valuable than the ideas of others?

Observation: To grow, you must play the role of scientist. Which forms of expression seem to have the most impact? Which seems to resonate most deeply with your audience, or with you personally? By noting these areas of impact you can improve your precision and authority.

Redirection: Knowledge without action is useless. You must take what you uncover about yourself and apply it in the course of your daily work. Over time, you will develop a unique style or form of expression that helps you convey your thoughts and ideas.

EXCAVATION

As you consider the three elements of the Voice Engine (Identity, Vision, Mastery), which do you think is your strongest link? Which do you feel is your weakest? Everyone has a need for continued growth in each of these three areas, but identifying which one you struggle with the most can help you determine how to focus your efforts in the near term.

OBSERVATION

Think of a time in your life when you succeeded in doing work that influenced others and achieved the results you desired. What made it especially effective? Can you describe some qualities that reflect why that work was especially resonant with your audience?

REDIRECTION

As you go about your work this week, remind yourself daily of those moments when you were especially impactful, and the qualities that made your work resonant. As a starting point, try to infuse your work this week with more of those same qualities. (As we progress into later chapters, you’ll learn some specific tools to help you do so.)

Chapter 2

The Hurdles

For us moderns, perhaps, fear of being ridiculous in our own eyes is the greatest shame.

—Dorothee Soelle, Death by Bread Alone

Principle: To develop your authentic voice you must overcome the forces that keep you in a place of conformity and comfort.

Imagine yourself standing on the edge of a canyon, preparing to hike to the other side. Below you can see trees, the river flowing through the canyon, and the beauty of the landscape surrounding it. From your privileged position you can see the entirety of the terrain, the path down and back up the other wall of the chasm, and the ending point of your journey. It seems so simple, and you have plenty of energy for the hike. You’re excited about the possibility of reaching the other side, and you set out at an aggressive pace. However, as you descend into the canyon, you become less certain of your position. The tall trees make it difficult to navigate, and the steepness of the decline is taking a toll on your knees. You are rapidly losing energy, and you know that sundown is coming in just a few hours. Given the wildlife known to prowl the area, you do not want to be caught in the canyon at night.

In the midst of your hike, you can no longer see the end objective. The path that was so clear at the top is now difficult to discern. You know you’re still headed generally in the right direction, but this trek has proven to be much more challenging than it appeared from your launching point. After much effort and muddling, you spot your target destination through a clearing in the treetops, and below it an entry point back to the path. You navigate toward it, but you suddenly realize that you now have a long, uphill climb in order to complete your hike by sundown, and your legs are starting to give. However, this is where your training kicks in, and before long you get your second wind. Up you climb, eyes on the destination, with the path now obvious and open, but knowing that you have to hustle in order to make it by dark. Finally, just before the sun slips over the horizon, you step up onto the ledge of the opposite side. As you turn around and glance back, you have a newfound respect for the canyon that seemed so simple and traversable at the outset.

Most helpful customer reviews

17 of 18 people found the following review helpful.
Exalting the practical (really 4.5 stars)
By Angela Hinton
As someone who likes to think of herself as a left-to-right-brain-balanced person, Todd Henry's work fills my need to be an organized, fully-functioning creative, which I feel used to be an oxymoron, until authors like Todd entered the arena.
I want to exalt the practical, because it's often overlooked for more flowery language or grand existential themes in other similar books. With Louder Than Words, he grabs you by the shoulders and states the obvious that others (myself included) are afraid to state for risk of not being completely "original." At times, his obvious statements may have only slightly insulted my intelligence (Ch. 5: empathy vs. sympathy was a little drawn out on the explanation between the two), but it's more than acceptable because I understand and appreciate the point he wants to drive home. And truth be told, I can be thick-headed.

Todd tells you straight up, this is a book for doers. I looked at that as a challenge to me as I continued through the book and now also as I implement the tested practices he has graciously provided.
Ultimately, it is a book that resonated with me in my current situation, motivated me into immediate action with his workbook style questions, and one that I have immediately turned around and already started the 2nd read. This will be a book that lives by my computer, dog-eared and worn with fingerprints because I will continue to reference it on this journey to find and maintain my authentic voice and strive to do my best work everyday. Thank you, Todd.

12 of 12 people found the following review helpful.
A practical toolset for life...
By K. Burke
I haven't finished Louder Than Words yet. I've been working through it and taking advantage of the thoughtful prompts and questions that author Todd Henry has provided to really apply the perspectives, knowledge, and strategies in the book. This isn't a quick read-and-forget self improvement or do-better-at-work reference that you'll finish and forget about. It's really more of a very practical, grounded tool set to intentionally apply to improve the congruence of your vision, strategy, and performance to achieve your work, and life, goals.

Todd acknowledges that there is no free lunch, you do have to invest yourself in thinking about, planning, and executing the work then reflecting on your outcomes so that you can start the cycle all over again. That's another thing I like about Todd's candor and insight - you can't put your life in order all at once, nor can you "fix" it and then leave it on autopilot. You have to stay engaged and aware, investing thought and action at the appropriate time.

And it's not just for your day job or corporate occupation. The principles and perspectives here apply to that environment, certainly. But they apply to your passions as well. I'm in a corporate role but want to develop the skills and knowledge to move to a full-time occupation as an artist at some point in the future. What I'm learning in Louder than words will serve me well in both areas. I can get better at what I do at work, to include refining and charting my growth and progression going forward, and I can coherently and effectively improve and grow as an artist. In both cases it will help me to grow in either role and to prepare for future opportunities.

I look forward to not only completing the book and it's exercises, but more importantly to applying what I learn in my life, recalibrating, and applying the process over and over. Consistency and action are certainly keys to the long-term outcomes but the power of repetition (and mastery) of Todd's approach will only get, not easier, but more frictionless over time.

Well worth the read (and re-read). To the extent you apply what's offered here (And that's the trick, isn't it?), I believe you will benefit significantly in effectiveness, alignment, and growth into the future.

I'll update my review from time to time as I complete the book and apply it to my all aspects of my life.

7 of 7 people found the following review helpful.
Louder Than Words Is More Than A Game Changer For Creatives, It Is a LIFE CHANGER!
By Melissa M.
I received my copy of Louder Than Words Yesterday - from the moment I opened the front cover I literally could not put it down! As a creative director for an NY marketing agency, I have long struggled with holding on to "my authentic voice", since my job revolves around immersing myself in the voice of our clients. What I truly love about this book, Todd Henry breaks the struggle and the rebuilding process down into bite-size, digestible pieces.

What I love most, is how Henry writes from a place of the first-hand experience, as an enlightened soldier returning from the battlefield. He pulls back the curtain to reveal WHY creatives lose their voice, HOW to find it and WHAT needs to be done to develop and nurture it on a daily basis. This book is not only a game changer; it is a life changer! Louder than Words: Harness the Power of Your Authentic Voice

Louder than Words: Harness the Power of Your Authentic Voice

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